The division between the scholar-gentry class and the "people" was an enduring theme of the traditional Chinese agrarian-bureaucratic state. Twentieth-century elites recast this as a division between intellectuals and peasants and made the confrontation between the writing/intellectual self and the peasant "other" a central concern of literature. The author argues that, in the ...(展开全部)

The division between the scholar-gentry class and the "people" was an enduring theme of the traditional Chinese agrarian-bureaucratic state. Twentieth-century elites recast this as a division between intellectuals and peasants and made the confrontation between the writing/intellectual self and the peasant "other" a central concern of literature. The author argues that, in the ...(展开全部)

Lu Ling (1921-94) was one of modern China's most intensely psychological writers, foregrounding in his many novels and short stories the narrative representation of consciousness and the individual psyche. His mentor Hu Feng (1902-85), a leftist literary theorist, was a leading proponent of the subjective view of literature, who asserted an active and dynamic role for the self ...(展开全部)

During the first thirty years under communism, China completely banned crime fiction. After Mao, however, crime genres of all kinds-old and new, Chinese and Western-sprang up in profusion. Crime narrative again became one of the most prolific and best-loved forms of Chinese popular culture, and it often embodied the Chinese people's most trenchant and open critiques of their ne...(展开全部)

During the first thirty years under communism, China completely banned crime fiction. After Mao, however, crime genres of all kinds-old and new, Chinese and Western-sprang up in profusion. Crime narrative again became one of the most prolific and best-loved forms of Chinese popular culture, and it often embodied the Chinese people's most trenchant and open critiques of their ne...(展开全部)

This is the first systematic study of the vernacular movement in modern Chinese literature of the late nineteenth and early twentieth centuries from the perspective of comparative literature. Drawing on the experiences of vernacular movements in other times and societies (Italian, French, German, English, Japanese, Indian, Arabic, Turkish, Vietnamese), and on the concept of wor...(展开全部)

This book aims to demonstrate the multiplicity of configurations of the individual in modern Chinese literature through analyzing several classic texts written by Zhou Zuoren, Lu Xun, Lao She, and Mu Shiying. It attempts to refresh our understanding of the history of modern Chinese literature and indirectly responds to the controversial issue of “individual rights” (or “human r...(展开全部)

http://www.brill.com/cn/products/book/ideology-power-and-power-ideology-early-china Ideology of Power and Power of Ideology in Early China explores ancient Chinese political thought during the centuries surrounding the formation of the empire in 221 BCE. The individual chapters examine the ideology and practices of legitimation, views of rulership, conceptualizations of ruler-m...(展开全部)

Dan Zahavi is Professor of Philosophy and Director of Center for Subjectivity Research at the University of Copenhagen. He was elected member of Institut International de Philosophie in 2001 and of the Royal Danish Academy of Sciences and Letters in 2007. From 2001 to 2007 he served as president of the Nordic Society for Phenomenology, and he is currently co-editor in chief of ...(展开全部)